Thursday, December 29, 2011
Sunday, December 11, 2011
Just in time for Christmas
Monday, October 31, 2011
Published: 100 word story
Sunday, May 08, 2011
Mother's Day 2011
Julia Helen Pactovis Levery (1916-1998)Sunday, March 13, 2011
Japan
Saturday, February 19, 2011
Glenn, don't forget the Packers...
Nosing around Nørrebro (15)
"Rainbow" (Back of traffic sign, Sortedams Dossering, 11 April 2009)
A patron saint of something or other...? (Building on Blegdamsvej, overlooking Sankt Hans Torv, 14 February 2010)
"Cops In Jail!!!" (Graffiti along path under Dronning Louises Bro, 23 August 2009)
A graffitic remnant of "Klimakonference 15" (COP15) that took place in København 07-19 December 2009 (Somewhere along Fredensgade, 11 July 2010)

"Spyo (Heart) Afeks*...on State Support" (Apartment building, Guldbergsgade, 22 May 2009)
*Near as I can figure, these are the nics of a couple of graffiti artists operating around Nørrebro. For what it's worth, note that one S in the middle of "Statsstøtte" is superfluous.
Saturday, February 12, 2011
The will of the people...
The will of the people is the only legitimate foundation of any government, and to protect its free expression should be our first object.
--Thomas Jefferson
Monday, February 07, 2011
Better than the Comedy Channel...
Friday, January 28, 2011
The alternate universe of Michele Bachmann
Everyone arriving on America's shores has had the same status since its founding? Our Founding Fathers "worked tirelessly until slavery was no more in the United States"? Did I wake up last Friday on some alternate Earth? What kind of drug does Bachmann put in her Kool-Aid? Her cluelessness would be laughable if she wasn't an elected official with real power. And she says she wants "to be in the conversation" for the 2012 Presidential campaign? One vote for this ignorant, fact-challenged, McCarthy wanna-be would be too many.
Saturday, January 15, 2011
Educated? Yes. Ruling class?....I don't think so.
Sunday, January 09, 2011
Welcome to Pakistan Arizona
Saturday, January 01, 2011
52 Books In 52 Weeks
William Kennedy, Ironweed
Cormac McCarthy, The Road
Robert Alter, Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem
David Shields, Dead Languages
Kazuo Ishiguro, Never Let Me Go
Jonathan Safran Foer, Everything Is Illuminated
Carolyn Forché, Gathering the Tribes (Yale Series of Younger Poets)
Jonathan Franzen, The Twenty-Seventh City
Nathalie Sarraute, The Use of Speech
David Albahari, Götz and Meyer
Claude Simon, The World About Us
Michael Chabon, The Amazing Adventures of Kavalier & Clay
Alan Furst, Blood of Victory
Charles Simic, Night Picnic: Poems
Lawrence L. Langer, Editor, Holocaust Testimonies: The Ruins of Memory
Susan Sontag, Against Interpretation
Roland Huntford, Scott and Amundsen
Claude Lévi-Strauss, Totemism
Fanny Howe, Selected Poems (New California Poetry, 3)
James Tate, Worshipful Company of Fletchers
Hjalmar Söderberg, Doctor Glas
Charles Simic, A Wedding in Hell
Paul Auster, The Invention of Solitude: A Memoir
Howard Goldowsky, Editor, Masters of Technique
Jacobo Timerman, Chile: Death in South
Stephen Jay Gould, Urchin in the Storm: Essays About Books and Ideas
Don DeLillo, White Noise
Kenneth R. Miller, Only a Theory: Evolution and the Battle for America's Soul
Hans C. Ohanian, Einstein's Mistakes: The Human Failings of Genius
Susan Sontag, On Photography
Philip Roth, The Plot Against America
Jacobo Timerman, Cuba: A Journey
James Tate, Dreams of a Robot Dancing Bee
Jo Walton, Farthing (Small Change, #1)
Raul Hilberg, The Destruction of the European Jews (revised 1985 edition in 3 volumes)
Orhan Pamuk, The White Castle
Russell Edson, The Tunnel: Selected Poems of Russell Edson
Charles Simic, Orphan Factory: Essays and Memoirs
Roberto Bolaño, Amulet
Roberto Bolaño, By Night in Chile
Philip Roth, The Humbling
Kim Addonizio, Lucifer at the Starlite: Poems
Marcel Proust, Within a Budding Grove (Remembrance of Things Past, No. 2, Vintage)
James Gleick, Chaos: Making a New Science
Fumiko Enchi, Masks
André Malraux, The Royal Way
Amos Oz, To Know a Woman
James Tate, Riven Doggeries (American Poetry Series; V. 18)
Lawrence D. Kritzman, Auschwitz and After: Race, Culture, and "the Jewish Question" in France
Nicholson Baker, The Anthologist
William Gibson, Mona Lisa Overdrive (Sprawl Trilogy, #3)
James Edward Young, Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation
Friday, December 31, 2010
Published: Just in time for the New Year
Monday, December 27, 2010
More Snow
Sunday, December 19, 2010
R.I.P. Captain Beefheart
Saturday, April 17, 2010
Chaos (A Belated Review)

“The universality of shapes, the similarities across scales, the recursive power of flows within flows—all sat just beyond reach of the standard differential-calculus approach to equations of change. But that was not easy to see. Scientific problems are expressed in the available scientific language. So far, the twentieth century’s best expression of Libchaber’s intuition about flow needed the language of poetry. Wallace Stevens, for example, asserted a feeling about the world that stepped ahead of the knowledge available to physicists. He had an uncanny suspicion about flow, how it repeated itself while changing:
‘The flecked river
Which kept flowing and never the same way twice, flowing
Through many places, as if it stood still in one.’
Stevens’ poetry often imparts a vision of tumult in atmosphere and water. It also conveys a faith about the invisible forms that order takes in nature, a belief
‘that, in the shadowless atmosphere,
The knowledge of things lay round but unperceived.’ ” [2]
Later in this passage, about “These experimenters, the ones who pursued chaos most relentlessly, succeeded by refusing to accept any reality that could be frozen motionless.” Gleick continues, “Even Libchaber would not have gone so far as to express it in such terms, but their conception came close to what Stevens felt as an ‘insolid billowing of the solid’:
‘The vigor of glory, a glittering in the veins,
As things emerged and moved and were dissolved,
Either in distance, change or nothingness,
The visible transformations of summer night,
An argentine abstraction approaching form,
And suddenly denying itself away.’ ” [3]
It’s not difficult to figure out why discussions of chaos theory and practice readily evoke affinities and analogies with the visual, sonic, and literary arts; much about the creative process has to do with alternately submitting to and organizing chaos; finding patterns in apparent disorder; observing and analyzing nature (or one’s own thoughts), and discerning previously unsuspected relationships (and inventing new ways to describe them). The relationship between music and mathematics, which underpins the fields of physics and chaos, is well known; nor is it surprising that Mandelbrot patterns are appealing, that depictions of turbulence are staples of the visual arts, or that writers learn to travel knowingly along the contiguous territories of chance and purpose. “Chance seems to us then a good and useful thing, for we discern in it as it were rudiments of organization, of an attempt to arrange our life….” [4]
If you have a decent background in elementary physics and mathematics, and aren’t already acquainted with such terms as “Mandelbrot set”, “fractional dimensions”, and “strange attractors”, but they sound like things you really would like to know about; or if you are a layperson just wanting a glimpse (the pictures are cool!) into the world of “non-linear behavior”, “boundaries of infinite complexity”, and “organized chaos”, this book, even more than two decades since its appearance, is still a good place to start. [5]
[1] James Gleick, Chaos: Making a New Science (New York: Penguin Books, 1987), pp.195-196. See also footnote [5].
[2] Gleick quoting Wallace Stevens, “This Solitude of Cataracts,” The Palm at the End of the Mind, ed. Holly Stevens (New York: Vintage, 1972), p. 321.
[3] Gleick quoting Wallace Stevens, “Reality Is an Activity in the Most August Imagination,” The Palm at the End of the Mind, ed. Holly Stevens (New York: Vintage, 1972), p. 396.
[4] Marcel Proust, Within a Budding Grove (C. K. Scott Moncrieff, translator), Remembrance of Things Past [À la Récherche du Temps Perdue/In Search of Lost Time] Volume II (New York: Vintage Books, 1970), p. 293.
[5] Note that there is a more recent edition of the book out since 2008: James Gleick, Chaos: Making a New Science—20th Anniversary Edition (New York: Penguin Books, 2008). ISBN: 0143113453.
Sunday, February 14, 2010
Denmark Day 745
Sortedams Sø and Sunday morning traffic on Øster Søgade.
Sectional couch, island on Sortedams Sø.
I'm sure this little island has a local name, which I don't know, but the key thing is that this happens to be one of those years when it's accessible on foot. The couch looks kinda comfy.
Statues on Dronning Louises Bro.
That's Peblinge Sø behind them, with Søpavillionen in the far background. I'm sure she's saying something like "Damn, it's frickin' cold out! Why are we sitting here without our coats on?"
All photos taken 14 February 2010.
Monday, February 08, 2010
Denmark Day 739

(Photo and quote credit: Hebster. "Alone. Or as alone as it is possible to be on Fredensbro on a sunday afternoon. Shot on a shit-cold second sunday in [February] 2010.")
Late evening the same Sunday this picture was taken, it's around -10 C (14 F), and I'm walking SE over the very same Fredensbro (this is one of the bridges over the Søerne—the lakes that form the western border of downtown København). Mildish 10 mph headwinds, not very challenging if you're just walking around (and your last place of residence was New Hampshire), but the air is, after all, coming off a frozen lake. When I'm about halfway across, I hear a young woman exclaim in accented English to her friend as they cycle past on my left, "This is NOT very wonderful...I'm killing my bike NOW!"
And IMRISL (rolling in the snow laughing).


